Use a resonant boost at around 60 Hz, just to give it a bit more of the thump. If you have a kick drum and a bass all carrying lots of sub information it can get messy when you are in low-frequency ranges. You can move a fair amount of the low frequency using a low cut. Drastic EQ cuts or boosts, at this particular stage, might not sound right and it is better to go back and look at the original sounds.
#Logic pro x 10.4.4 tutorial pro#
Be sure to look at the EQ when mixing in Logic Pro X. This will allow headroom for any potential mastering in the later stages, but it also means there will be no clipping on the master output. Try to keep the overall level around minus 8db and aim for a master level of approximately minus 6 at the end. If you choose to start the mix here, take a look at the individual elements, starting with the kick drum. You can color code into different sections to make it a lot easier to see what is going on and you can see, for example, the main drum parts are all being colored green and also take advantage of Logic Pro X track stacks to create a track-stack for a drum bass, which you can then use for extra processingīring out the basic drum track as it stands for mixing in Logic Pro X. It separates out the production and the writing stage from the mixed stage. In this mix everything is being rendered to audio, which is a preferred way of working. Start mixing in Logic Pro X by looping all the drum elements. If you do not get the drums and bass correct, the rest of the track will not work well.
It is a very essential part of making sure that the mix is right.
Mixing in Logic Pro X will ensure the drums and bass are correct in a dance track. In this video Point Blank instructor Paul Crossman looks at how a mix comes together in Logic, starting with the drums and bass.